Adèle Charvet studied at the Paris National Conservatory (Conservatoire National Supérieur de Musique et de Danse de Paris) with professor Elène Golgevit.
Her very first musical experience on stage was in the opera Brundibár by Hans Krása in which she sang the leading role Pepíček. From this enriching experience, she developed an irrepressible passion for Opera. With the Opéra 3 company, she sang the role of Hänsel in Humperdinck’s Hänsel und Gretel. In 2016 she sang the role of Frau Reich in Die lustigen Weiber von Windsor by Otto Nicolai, in a production staged by Emmanuelle Cordoliani. She made her debut at the Dutch National Opera, singing the Polovtsian Maiden in Borodin’s Prince Igor, staged by Dmitri Tcherniakov and conducted by Stanislav Kochanovski. She sang Filippievna in Eugene Onegin by Tchaikovsky at the Verbier Festival. She made her debut on stage of the Royal Opera House in Carmen (Mercédès).
Very passionate about the Song and Lieder repertoire which she studied with David Selig and Anne le Bozec, she formed in 2015 a duo with pianist Florian Caroubi with whom she obtained the Mélodie Prize at the International Lied and Song Competition Nadia and Lili Boulanger in Paris. In 2016, they won the Grand duo prize of the International Vocal Competition in ’s-Hertogenbosch in the Netherlands – as well as the Junior Jury Prize, the prize for the Contemporary piece, the Dutch friend of Lied prize and the Press prize. They have since played at the Concertgebouw in Amsterdam, at the Petit Palais in Paris, at the Schmiermonnikoog Music Festival in Holland, and soon at de Singel in Antwerpen.
In 2017, Adèle Charvet had the opportunity to study in both Lied and Opera Academy of the Verbier. There, she sang in masterclasses with Thomas Hampson, Thomas Quastoff, Sir Thomas Allen and Anna Tomowa-Sintow. She was awarded the «Yves Paternot » prize for the most outstanding musician of the Academy, and will be invited to perform as a soloist at the Festival. After Verbier, Thomas Hampson invited her to join his upcoming Lied Academy in Heidelberg.
In 2019, she records with the pianist Susan Manoff a program around American and English repertoires for her first CD “Long Time Ago” released by Alpha Classics.
More recently, Adèle Charvet sang Il Pirata (Adele) in a concert version, Il Barbiere di Siviglia (Rosina), Manon (Javotte), Roméo et Juliette (Stéphano) and Carmen (title part) at the Opéra National de Bordeaux, Manon at the Paris Opéra Comique, Idomeneo (Idamante) and Serse (title role) with Opera Fuoco, Berlioz Benvenuto Cellini (Ascanio) with the Monteverdi Choir and Orchestra at the Berlioz Festival of La Côte-saint-André, in Berlin, at the Proms in London and in Versailles under the baton of John Eliot Gardiner, Cadmus et Hermione (Hermione) with Le Poème Harmonique at the Royal Opera of Versailles, Parsifal (Flowermaiden) in Toulouse, Il Barbiere di Siviglia (Rosina) in Montpellier and Toulouse,Pelléas et Mélisande (title role) in Rouen, Ariane et Barbe-bleue (Sélysette) by Dukas a the Opéra de Lyon, I due Foscariat the Aix-en-Provence Festival, 7 Deaths of Maria Callas, creation of Marina Abramovic, at the Paris National Opera,Roméo et Juliette (Stéphano) at the Opéra Comique, Idomeneo (Idamante) in Metz and Massy.
In concert, she sang Bach Mass in B in Leipzig, Haydn and Pergolesi Stabat Mater with Le Concert de la Loge, on a tour in a Mozart program with the Ensemble Pygmalion and was involved in the Academy of the Aix-en-Provence Festival, Le Poème de l’Amour et de la Mer at the Opéra de Tours, Pergolesi’s Stabat Mater with Le Concert de la Loge at the Théâtre des Champs-Elysées and various concerts at the Festival d’Hardelot, at Saint-Michel en Thiérache and at the Festival de Saint-Denis … She will also sang recitals with Florian Caroubi at the théâtre imperial de Compiègne, the MC2 in Grenoble…
She gave numerous recitals at the Deauville Festival, the Théâtre des Bouffes du Nord, the Saint-Denis Festival, the Château de Chambord, in Montevideo at La Escena Vocal Festival, Théâtre imperial de Compiègne, MC2 in Grenoble.
Among her recent and future projects: Carmen (Mercédès) at the Paris National Opera and with the Orchestre Philharmonique de Strasbourg, La Cenerentola (Angelina) in Toulouse, Le Journal d’Hélène Berr, a creation by Bernard Foccroulle with the Quatuor Béla on tour in France, Les Troyens on tour with the Monteverdi Choir and Orchestra, Giulietta et Romeo de Zingarelli l’Opéra de Versailles, Carmen (title role) in Nancy, Le Nozze di Figaro (Cherubino) in Glyndebourne and, in concert, she will debute with the Berliner Philharmoniker in Debussy’s La Demoiselle élue and will sing Le Poème de l’Amour et de la Mer with the Orchestre Français des Jeunes in Compiègne, Ludwigsburg and at the Philharmonie de Paris, Schubert’s 5th Mess with the London Symphony Orchestra, Les Nuits d’été with the Orchestre National de Metz, Grisélidis with the Orchestre de l’Opéra National Montpellier Occitanie in Montpellier and at the Théâtre des Champs-Élysées as well as Orlando furioso with the ensemble Matheus.
Adèle Charvet is under exclusive contract with Alpha Classics.
This biography should not be edited without permission from Intermezzo.