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Armando Noguera

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Born in Argentina, Armando Noguera studied singing at Teatro Colón in Buenos Aires before joining the Atelier Lyrique of the Opéra National de Paris. In 2005, he was a finalist of the International competition Operalia in Madrid.

As a young man,he made his début at Teatro Colón, performing Figaro in Il Barbiere di Siviglia, Falke in Die Fledermaus, Aeneas in Dido and Aeneas

Then, he has often been invited in a wide range of repertoires, from Monteverdi (Il Vespro alla Beata Vergine) to John Casken (Golem). He consistently appears in Mozart operas (Les Noces de Figaro (Figaro), Die Zauberflöte (Papageno), Cosi fan tutte (Guglielmo)) but he is also brilliant performer of the Italian repertoire. Thus he sings Rossini to great public acclaim (Il Barbiere di Siviglia, L’Italiana in Algeri, La Cenerentola, Il Viaggio a Reims), Donizetti (L’Elisir d’Amore, Don Pasquale ), but also Verdi (La Traviata, Falstaff), Puccini (Madama Butterfly, La Bohème) and Leoncavallo (I Pagliacci).

He does not leave the French repertoire behind as bear testimony the numerous roles he performs in such operas as Charles VI, Faust, Carmen, Djamileh, Les Mamelles de Tirésias, L’Heure espagnole, Les Caprices de Marianne or in a lighter repertoire, La Vie parisienne, La Veuve joyeuse

Besides, let us mention the title role of Eugene Onegin or also Lodoïska by Cherubini, Die Fledermaus, Il Segreto di Susanna by Wolf-Ferrari, the zarzuela Dona Francisquita, The Rape of Lucretia by Britten, The Telephone

In concert, not to mention many recitals devoted to lieder and melodies in Brazil, in Argentina, and in France (Capitole in Toulouse and Opéra in Nantes) he has won the applause of audiences in L’Enfance du Christ by Berlioz, l’Enfant Prodigue by Debussy, Misa Tango by Bacalov, Requiem by Fauré, Deutsches Requiem by Brahms, Magnificat by Monteverdi…

His international career has allowed him to appear in Brazil and at Baalbeck festival, at Glyndebourne festival and at la Fenice in Venice, or at Opéra de Québec and at Accademia Santa Cecilia in Rome. He is also a regular guest of the major theatres in France where he performs at Théâtre des Champs-Élysées, at Opéra Comique and on the stages of the operas in Bordeaux, Lille, Montpellier, Marseilles, Avignon, Toulouse, Strasbourg, Nantes…

Recently, he has made an outstanding debut at Glyndebourne Festival as Dandini (Cenerentola), as well as in Nantes Pelléas et Mélisande (Pelléas).

Moreover, he has sung Marcello (La Bohème) in Nantes, Danilo (La Veuve Joyeuse) in Avignon and Québec, Il Barbiere di Siviglia in Lille and Dijon, L’Italiana in Algeri and Pagliacci in Avignon, Belcore in L’Elisir d’amore in Marseilles and at la Monnaie in Brussels, Madama Butterfly in Lille, Luxembourg and Guadalajara, Carmen at Chorégies d’Orange, Die Zauberflöte in Québec, La Vie Parisienne in Marseille, Eugene Onegin in Rennes, Die Weisse Rose in Nancy, La Cenerentola in Lille …

Among his upcoming plans, Die Zauberflöte in Nice, Il Barbiere di Siviglia in Metz and Québec, Die Fledermaus in Montpellier, Simon Boccanegra in Dijon, Turandot in Marseille… In concert, he will sing in Limoges, in Avignon…


December 2016

This biography should not be edited without permission from Intermezzo.

BIZET – Carmen (Moralès/Le Dancaïre)
BRITTEN – The Rape of Lucretia (Tarquinius)
CHERUBINI – Lodoïska (Varbel)
CIMAROSA – Il matrimonio segreto (Conte Robinson)
DEBUSSY – Pelléas et Mélisande (Pelléas)
DONIZETTI – L’Elisir d’Amore (Belcore)
Don Pasquale (Malatesta)
GOUNOD – Faust (Valentin)
Roméo et Juliette (Mercutio)
Le médecin malgré lui (Sganarelle)
KORNGOLD – Die tote Stadt (Fritz)
LEHAR– Die Lustige Witwe (Danilo)
LEONCAVALLO – Pagliacci (Silvio)
MASSENET – Werther (Albert)
Manon (Lescaut)
MENOTTI – Le Téléphone (Ben)
MOZART – Die Zauberflöte (Papageno)
Cosi Fan Tutte (Guglielmo)
OFFENBACH – La Vie Parisienne (Gardefeu)
POULENC – Les Mamelles de Tirésias (Le Mari)
PUCCINI – Madama Butterfly (Sharpless)
Turandot (Ping)
La Bohème (Marcello)
PURCELL – Dido and Aeneas (Aeneas)
RAVEL – L’Enfant et les sortilèges (L’Horloge / Le Chat)
L’Heure Espagnole (Ramiro)
ROSSINI – La Cenerentola (Dandini)
Il Barbiere di Siviglia (Figaro)
L’Italiana in Algeri (Taddeo)
Il Viaggio a Reims (Don Alvaro)
SAUGUET – Les caprices de Marianne (Octave)
STRAUSS J. – Die Fledermaus (Falke/Gabriel von Eisenstein)
STRAUSS R. – Ariadne auf Naxos (Harlekin)
TCHAIKOVSKY – Eugène Onéguine (Eugène Onéguine)
VERDI – Simon Boccanegra (Paolo)
Falstaff (Ford)
WOLF-FERRARI – Il segreto di Susanna (Comte Gil)
ZIMMERMANN – Die Weisse Rose (Hans Scholl)