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Armando Noguera

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Born in Argentina, Armando Noguera studied singing at Teatro Colón in Buenos Aires before joining the Atelier Lyrique of the Opéra National de Paris. In 2005, he was a finalist of the International competition Operalia in Madrid. As a young man, he made his debut at the Teatro Colón, performing Figaroin Il barbiere di Siviglia, Falkein Die Fledermaus, AeneasinDido and Aeneas

Then, he has often been invited in a wide range of repertoires, from Monteverdi (Il Vespro alla Beata Vergine) to John Casken (Golem). He consistently appears in Mozart’s operas (FigaroinLe nozze di Figaro, Papageno in Die Zauberflöte, Guglielmo inCosì fan tutte) and is also a brilliant performer of the Italian repertoire. He has thus sung Rossini to great public acclaim (Il barbiere di Siviglia, L’Italiana in Algeri, La Cenerentola, Il viaggio a Reims), Donizetti (L’elisir d’amore,Don Pasquale), Verdi (La Traviata,Falstaff), Puccini (Madama Butterfly,La Bohème) andLeoncavallo (I Pagliacci).

Armando Noguera does not leave the French repertoire behind, as bear testimony the numerous roles he performs in operas such as Charles VI, Faust,Carmen,Djamileh,Les Mamelles de Tirésias, L’Heure espagnole, Les Caprices de Marianneor, in a lighter repertoire, La Vie parisienne, Die lustige Witwe…Besides, let us mention the title roleof Eugene Oneginor Lodoïskaby Cherubini, Die Fledermaus, Il segreto di Susannaby Wolf-Ferrari, the zarzuela Dona Francisquita, The Rape of Lucretia by Britten, The Telephoneby Menotti…

In concert, in addition to many recitals devoted to Lieder and melodies, given in Brazil, Argentina and France (Capitole in Toulouse and Angers-Nantes Opéra), he has won the applause of audiences in L’Enfance du Christby Berlioz, L’Enfant Prodigueby Debussy, Misa Tangoby Bacalov, Fauré’s Requiem, Brahms’ Deutsches Requiem, Monteverdi’s Magnificat

His international career has led him to appear in Brazil and at the Baalbeck festival, at the Glyndebourne Festival and at the Fenice in Venice or at the Opéra de Québec and at the Accademia Santa Cecilia in Rome. He also is a regular guest of the major theatres in France, where he performs at the Théâtre des Champs-Élysées, at the Opéra Comique and on the stages of the Operas of Bordeaux, Dijon, Lille, Montpellier, Marseille, Avignon, Toulouse, Strasbourg, Nantes, Rouen…

More recently, he has made an outstanding debut in Nantes as Pelléas(Pelléas et Mélisande) as well as  in Melbourne in Guillaume Tell and inHamlet(main role) at the Teatro Avenida. Moreover, he sang Carmenat the Chorégies d’Orange and the Fenice in Venice, L’elisir d’amore (Belcore) in Marseille and at La Monnaie in Brussels, Die lustige Witwe(Danilo)in Avignon and Québec, Il barbiere di Sivigliain Lille, Metz, Dijon and Québec, L’Italiana in Algeri à Avignon et Montpellier, Madama Butterflyin Lille, Luxembourg, Rouen and Guadalajara,Die Zauberflötein Québec, Nice and Toulon, Die Fledermausat the Folies Lyriques, I Pagliacci in Avignon,La Bohème(Marcello) in Nantes, Eugene Onegin in Rennes,Die Weisse Rose in Nancy,Cenerentola at Glyndebourne Festival andin Lille, Pelléas et Mélisandein Krakow,Simon Boccanegrain Dijon, Fantasio(Prince de Mantoue) in Montpellier

Among his upcoming plans: Turandotin Marseille, Faust(Valentin) in Nice, Le Comte Ory(Raimbaud) in Metz and Toulon, Eugene Oneguin (title role) in Massy… He will perform in concert at the Opéra national du Rhin in Strasbourg, at the Centre Lyrique d’Auvergne in Clermont-Ferrand…

February 2019

This biography should not be edited without permission from Intermezzo.

BIZET – Carmen (Moralès/Le Dancaïre)
BRITTEN – The Rape of Lucretia (Tarquinius)
CHERUBINI – Lodoïska (Varbel)
CIMAROSA – Il matrimonio segreto (Conte Robinson)
DEBUSSY – Pelléas et Mélisande (Pelléas)
DONIZETTI – L’Elisir d’Amore (Belcore)
DONIZETTI – Don Pasquale (Malatesta)
GOUNOD – Faust (Valentin)
GOUNOD – Roméo et Juliette (Mercutio)
GOUNOD – Le médecin malgré lui (Sganarelle)
KORNGOLD – Die tote Stadt (Fritz)
LEHAR– Die Lustige Witwe (Danilo)
LEONCAVALLO – Pagliacci (Silvio)
MASSENET – Werther (Albert)
MASSENET – Manon (Lescaut)
MENOTTI – Le Téléphone (Ben)
MOZART – Die Zauberflöte (Papageno)
MOZART – Cosi Fan Tutte (Guglielmo)
OFFENBACH – La Vie Parisienne (Gardefeu)
POULENC – Les Mamelles de Tirésias (Le Mari)
PUCCINI – Madama Butterfly (Sharpless)
PUCCINI – Turandot (Ping)
PUCCINI – La Bohème (Marcello)
PURCELL – Dido and Aeneas (Aeneas)
RAVEL – L’Enfant et les sortilèges (L’Horloge / Le Chat)
RAVEL – L’Heure Espagnole (Ramiro)
ROSSINI – La Cenerentola (Dandini)
ROSSINI – Il Barbiere di Siviglia (Figaro)
ROSSINI – L’Italiana in Algeri (Taddeo)
ROSSINI – Il Viaggio a Reims (Don Alvaro)
SAUGUET – Les caprices de Marianne (Octave)
STRAUSS J. – Die Fledermaus (Falke/Gabriel von Eisenstein)
STRAUSS R. – Ariadne auf Naxos (Harlekin)
TCHAIKOVSKY – Eugène Onéguine (Eugène Onéguine)
VERDI – Simon Boccanegra (Paolo)
VERDI – Falstaff (Ford)
WOLF-FERRARI – Il segreto di Susanna (Comte Gil)
ZIMMERMANN – Die Weisse Rose (Hans Scholl)

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Luigi Cherubini – Lodoïska

N. Manfrino, H.Thébault, S. Gueze, P. Do, A. Noguera (Varbel), P-Y Pruvot, A. Buet
Le Cercle De L'harmonie / Jérémie Rhorer
Naïve / 2013

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Henri Sauguet – Les Caprices de Marianne

I. Philippe, M. Damonte, A. Noguera (Octave), M. Vidal, M. Ortega
Orchestre Français Albérie Magnard / Miquel Ortega
Disques DOM / 2009