After studies in sociology, Yann Beuron studied singing at the Conservatoire National Supérieur de Musique de Paris, with Anna Maria Bondi, and obtained the first prize in 1996. In December 1995, he made his debut at the Opéra du Rhin as Belmonte in Die Entführung aus dem Serail, under the direction of William Christie.
The year following, he made his debut at the Palais Garnier in Paris in a new production of Rameau’s Hippolyte et Aricie. He returned to this theatre in 2004 to sing a new production of Ravel’s L’Heure Espagnole, in 2006 to sing a new production of Gluck’s Iphigénie en Tauride and more recently in Les Contes d’Hoffmann.
In subsequent years, his engagements rapidly increased: Cosi Fan Tutte (Bordeaux, Stuttgart), Idomeneo (Marseille), Don Giovanni (Lisbon), Il Barbiere di Siviglia and Mignon (Toulouse), Falstaff (Marseille, Festival d’Aix en Provence), La Cenerentola (Brussels, Lausanne), La Belle Hélène (Théâtre du Châtelet), Hamlet and L’Heure Espagnole (Royal Opera House, Covent Garden and recently in Stuttgart under Stéphane Denève and in La Scala conducted by Marc Minkowski), Dialogues des Carmélites (Theater an der Wien with Bertrand de Billy). In 2003, Yann Beuron made his debut in the United States with the San Francisco Opera (Barbiere di Siviglia).
In recent seasons, Mr. Beuron returned to the Paris Opera (Yvonne, Princesse de Bourgogne and Alceste by Lully) and to the Aix Festival (Idomeneo and Pinocchio by Philippe Boesmans). He also made his debut at the Mozart Festwochen in Salzburg (Idomeneo), at the Teatro Real in Madrid (Iphigénie, Pelléas et Mélisande and La Clemenza di Tito) and at Covent Garden (Dialogues des Carmélites under Simon Rattle) the Netherlands Opera in Amsterdam (Iphigénie), Bayerische Staatsoper in Munich (Dialogues des Carmélites), the Theatre Royal de la Monnaie (Pelléas et Mélisande, Au Monde and Pinocchio by Boesmans, La Vestale by Spontini).He sang the title role of the rare Le Roi Carotte by Offenbach staged by Laurent Pelly at the Opéra de Lyon and then in Lille, and received a unanimous acclaim…He also sang Philippe Boesmans’ new creation Pinocchio at the Aix Festival, in Dijon and in Brussels.
A frequent guest soloist on the concert podium, he has performed with the Orchestre du Capitole de Toulouse, the Orchestre de Bordeaux-Aquitaine, the Ensemble Orchestral de Paris, the Orchestre Philharmonique de Radio France, the Rotterdam Philharmonic and the Swedish Radio Symphony Orchestra. He recently sang with les Musiciens du Louvre in Mozart’s Requiem (Paris, Barcelona, Valencia, Hamburg, Cracow…).
Mr. Beuron has recorded for DGG-Archive, EMI France, Virgin Classics, Erato and Philips Classics. His recent recordings include the third part of Fauré’s complete series (for Timpani) and L’Enfance du Christ under Sylvain Cambreling (for Glor Classics).
Among his projects, Yann Beuron will be performing in Berlioz’s Roméo et Juliette at the Paris National Opera, L’Enfant prodigue by Debussy in Nancy, Die Fledermaus in Lausanne, and in recital in Venise and in Strasbourg.
Since 2011, he has been working with his voice teacher Daniel Ottevaere.
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